Any Day Now is my return to a more abstracted pond – a close-up, angled view with young lily pads and a scattering of grasses. The details are still closely observed, but the cropping lets one see the pattern first, then the actual objects. Additionally, the staccato rhythm of grasses and reflected tree trunks and branches gives this painting a strong sense of movement and energy. And, as if that weren’t enough, I decided to paint in a breezy, cumulus-studded sky. As for the title….well, I’ve been anticipating the return of lilies….who hasn’t? The pads are here, the lilies will be open soon. Embrace the day. Details below.
Technical painting notes: I wanted this painting to have more energy and lots of contrast, so the initial layer was a mixture of black and blues, with a touch of greenish umber. I worked quickly with solvents and my soft rubber roller to maximize the textures. Later layers focused on glazing and finding the negative shapes of sky between the branches and pads. Additional glazing with cerulean and ultramarine blue helped to suggest the pattern of cloud and blue sky. At this point, I almost thought the painting was done. I hung it on the wall to dry, and studied it for over a year. Eventually, I realized the lily pads weren’t enough – the painting needed more focus. I added some white lilies, positioned near the center, but light enough in value to “blend in” with the cumulus cloud reflection.