I suppose it could be called a conceit. A series of paintings based on imagining what it would be like to paint alongside Corot – at his ponds, in his favorite weather and time of day. Painting with Corot is the third in my series, in which I explore various ways of capturing the feel and mood of Corot’s work, but informed by techniques and approaches from my own work. This straightforward view of a June morning at “our” pond shares Corot’s soft focus and close values, and his delicate touch. It also speaks to the sense of calm and serenity that so evidenced Corot’s sensibilities. Detail below. Enjoy.
Technical painting notes: Unlike Corot’s views, this painting has little real brushwork. I started it with a soft rubber roller loaded with thin oil paint, which I manipulated using monoprint techniques. Much of the foliage was built up with daubs of paint applied with crumpled plastic wrap. A few glazes balanced the color. Most of the brush work was limited to the tree trunks and branches, and a bit of duckweed.