There’s such a challenge painting dunes – the grasses and vegetation, the shifting sands, the soft and muted colors later in the year. I think it’s all those in-between colors that first drew me in, and the open space. There’s also a quality of emptiness, despite the vibrant life that calls this environment home. The dunes, being un-anchored, also remind me of the transience of life. Things happen and disappear. I think on that. Details below.
Technical painting notes: I used many monoprint techniques on this painting, beginning with a roll-up of umber and sienna oil paints which were manipulated to capture the broader shapes and gestures of the scene. Scraping and blotting, spatter, and pressing textures into the wet paint gave me myriad textures to emulate plant growth. When the base layer was dry, I used spatter, brushwork, and more scraping to define areas. Very thin applications of paint (with roller and brush) established the sand. I liked the vague edges of rolling “sand” over “plant”, and decided to keep the lower part of the painting more suggestive, (the dunes are about shift and change). Details were developed in the middle ground, contrasting with the darker band of sea and sky above it.
Such a gorgeous painting and your poetical ideas about it are also lovely to hear — and they explain something about how you achieved this image in that you think so deeply about its meaning and live inside the image.
Thank you Aletha. I think everything influences the direction of a landscape painting, but most of all I suspect imagining oneself living in the place, and having a relationship with everything depicted, is most important.