Many of the locales I paint were once farmland. The woods are mostly young, and the margins, defined by old stone walls, are a maze of grape and bittersweet vines, raspberry canes, and wildflowers. It’s a tangle of luxuriant growth bursting with color in the fall. All of that informed Inside Autumn, my homage to the season. Details below. Enjoy.
Technical painting notes: I used mostly soft rubber rollers to apply the paint, beginning with a mixture of burnt siennas, umbers, and violets for the first pass. While the paint was wet, I drew into it with scrapers to establish the major branches and vines, then spritzed areas with solvent, which was rerolled to lift and soften textures and color. Some brush work to define negative areas and leaves followed. When this layer was dry, I rerolled burnt sienna over much of the surface and purposely streaked it with solvents and oil, spritzed it with solvents, and rerolled the surface. More scraping defined the tangle, along with some glazing. Using various viscosities of paint, I was able to lay down color or pick it up, revealing underlayers. When dry, I refined the color and edges with brushwork.