Joy in the Morning; the title explains itself. I adore the lush environments found along creeks and rivers where vegetation and water meet, where reality and its counterpart overlap, The subject lends itself to to a more abstract, looser approach, and seems to demand a larger format as well – room to play with tangent, flickering light amidst the bright blues of a reflected sky. I thought of calling the painting “Riverside,” but with this much color, it’s more about my emotional response to the place, the light, and my enthusiasm greeting a new day. I find I keep asking myself is this painting abstract? Maybe, but not entirely. Is it abstract impressionism? I think that term describes the playfulness of painting with the roller, while the word impressionism reminds one that this is still based on observation. Whatever the proper descriptive phrase, it seems to be the direction toward which I am heading. Details below. Enjoy.
Technical painting notes: There are a considerable number of semi-transparent layers of paint and glaze building this image. I used Winsor Newton Liguin mixed into the oil paint to create luminosity and to speed drying. I also worked from dark to light, with the underlayers of dark green and a brownish black showing through occasionally.