Ah, the mysterious summer woods. Unlike in winter, summer’s green mantle obscures the wood’s structure and secrets. There are hints, of course. but the wall of rich greens (especially this year!) by default, becomes the real subject – and what a problem. How to mix enough varieties of green to keep the painting interesting. It’s a stretch.
But more importantly, I hope these paintings entice you to stop and linger when you are on the road. The scenery is so charming, the season so brief, and our tree heroes so in need of our support and acknowledgement.
Technical painting notes: Both paintings are on primed, smooth paper. I use a palette knife and Winsor/Newton Liquin when blocking in the dark base layer. Once the base layer is dry, I use brushes to pull out the image, then go back to using a palette knife to “smudge and soften” some areas to create depth and a little mystery.
Thank you for sharing your technical notes as well. It’s so helpful for student painters.
I was and will always be a student. Glad to be of help.