No soil that I can see, but these shrubs have found a way get by in hard circumstances. The first is from Quoddy Head, the second from Bass Rocks, but both offer little but a crack in the stone for the roots to dig in – more than some people have.
Another part of the rugged coastline at Quoddy Head is this jumble of darkly volcanic rock, as seen on an overcast morning. I haven’t hiked this far very often, but oh what an incredible place! The surf pounds at the eroding cliffs and the thunderous vibrations can be felt in one’s legs. It is both primal and timeless. Enjoy!
Looking southeast along the Maine coast always seems to bring to view another headland or scrap of rocky coast. I’ve been thinking about this recently as I work on a series of small studies and paintings from that beloved coast. I keep asking myself why do I so love being between a rock and a hard place? It’s a hard question to answer. Maybe it’s the gestalt of our times, and I am just one among many in this spot. Then I think well, better enjoy some aspect of this! Painting and remembering these “hard places” is a source of joy for me, so I suspect I’ll keep painting them, I hope you enjoy them too..
On a hot summer day it’s refreshing to look at the cool, sea-splashed Maine coastline. This 7×7′ oil painting is based on another part of Quoddy Head, surely one of my favorite places. Some places are both ordinary and extraordinary. Enjoy.
The last details, labels and varnishing, are almost finished. Soon, 14 paintings on a theme of what I find in the woods will be going to the Summer Star Wildlife Refuge, for exhibition at the Linden Street Gallery (690 Linden Street, Boylston, MA) August 2020 through January 31, 2021. A sampling of paintings in the show below!
Simplicity – the horizon, and under that soft blue line a patch of warm sand and a granite outcrop. We can always pretend to be there. Enjoy.
Technical painting notes: I used hot press watercolor paper coated with an isolating layer of shellac for this small painting. Less brush and more palette knife gave heft and substance to the outcrop. Adding Liquin Impasto medium to the paint also added an illusion of weight to the paint while maintaining the translucency of reflective light.
A feast of grays and a stiff wind inspired this small painting from Bass Rocks. Even though the weather is blustery, the quiet palette is somehow soothing. A great day for a comfortable chair and a good book. Enjoy.
It’s a roughed-up piece of geology, battered by winter and tides, but that’s part of what makes Quoddy Head State Park in Maine so special. The other thing that intrigues me is the color banding of red, maroon, and black, all folded and layered. In this little painting, the iron-rich reddish layer is exposed, while the broken bits of the black, volcanic layer show near the bottom. Painted on a slightly larger piece of watercolor paper, the 9×9″ painting is big enough to allow for quite a bit of detail. Enjoy.