The dark stone, wet and slippery with salt splash, is hardly a place for plein air painting, but it provides a wonderful subject to tackle and with a zoom lens on a small field camera. I shoot from a variety of positions, and try different settings, usually on different days. This provides enough information to start a painting. To finish a painting is another matter entirely. That depends on happy accidents, simplification, a basic knowledge of geology, and optimism – at least. Enjoy.
Watching these old cliffs take a battering from the angry sea, I can’t help being astounded that they have survived for so long. They do endure…..
It’s like a warm-up exercise, but more fun. Working on the small paintings prepares me for a full day of painting, and helps me to keep the big picture in mind. Doing dozens of studies of a favorite place also commits it to memory, and gives me more freedom to invent when necessary – always a good thing. Enjoy.
There’s ample opportunity to practice painting granite around these parts, including this little oil painting from Cape Ann.
One more vigorous day out on Bass Rocks in Gloucester. It’s fun to see what one’s imagination can do interacting with reality. This little fellow was painted on prepared rough watercolor paper, which lends its texture, and a sense of roughness, to the rocks.
The small studies continue….at this scale, it’s easier to capture the energy of the tide slamming into the ancient stone. Enjoy.
Bracing weather, cool with a stiff breeze, that’s what I kept in mind as I painted this 7×7″ oil on paper study. I wanted the motion in the water but also the feel of air rushing past. One of those take a big breath days and enjoy the experience days…..