Ode to the Winter Ice Pond

TM9509 Winter Ice Pond 36×54 oil on panel

The line between abstraction and realism is almost non-existent. Impressions, nuances, an impulsive color or gesture – these elements can determine the context in which we re-cognize a place or an emotional state. Ode to the Winter Ice Pond is based on my (sometimes) daily observations of a local ice pond freezing in winter. It records the changes, from open water to the first scrim of thin ice to frozen ripples. Some of the gestures are from grasses caught above and below the water, or the reddish branches that can seem so vibrant when stripped of their leaves, or outlined with snow. Is it realism? abstraction? impressionism? I don’t like categories. I just love to look, and then paint. Anything else I leave for you to figure out.

Details from the finished painting below.

TM9509 Winter Ice Pond – detail from upper left

TM9509 Winter Ice Pond – detail from lower center edge

TM9509 WInter Ice Pond – detail from right side


Technical painting notes: While the colors of winter at the ice pond are somewhat limited, I used warm and cool versions of the blues, greens, grays and reds to keep the painting’s palette interesting

Joy in the Morning

TM9502 Joy in the Morning 30×60 oil on panel

Joy in the Morning; the title explains itself. I adore the lush environments found along creeks and rivers where vegetation and water meet, where reality and its counterpart overlap, The subject lends itself to to a more abstract, looser approach, and seems to demand a larger format as well – room to play with tangent, flickering light amidst the bright blues of a reflected sky. I thought of calling the painting “Riverside,” but with this much color, it’s more about my emotional response to the place, the light, and my enthusiasm greeting a new day. I find I keep asking myself is this painting abstract? Maybe, but not entirely. Is it abstract impressionism?  I think that term describes the playfulness of painting with the roller, while the word impressionism reminds one that this is still based on observation. Whatever the proper descriptive phrase, it seems to be the direction toward which I am heading. Details below. Enjoy.

TM9502 Joy in the Morning – detail from upper right showing use of roller, spatter, and brushwork

TM9502 Joy in the Morning – detail from left side

TM9502 Joy in the Morning – detail from center with vegetation overhanging the water

TM9502 Joy in the Morning – detail from lower edge of painting with branches, leaves, and watery ripples

TM9502 Joy in the Morning – detail from right of center

Technical painting notes: There are a considerable number of semi-transparent layers of paint and glaze building this image. I used Winsor Newton Liguin mixed into the oil paint to create luminosity and to speed drying. I also worked from dark to light, with the underlayers of dark green and a brownish black showing through occasionally.