Summer is also the season when hurricanes affect the coast, turning the water into thick foam. This view is from good old Bass Rocks, of course. Enjoy.
One more summer painting from Gloucester, this one from a small quarry deep in the woods behind a friend’s house. I’ve spent time here watching fish in the water (and trying to photograph them). One frog spent nearly a whole day watching me sketch and photograph reflections in the water and the granite walls. It’s a beautiful place in the heart of of Cape Ann, full of history, blueberries, and wonderful memories.
Back to Gloucester for a study from one of the many quarries – and the 6th painting in my mini-series Last Days of Summer. The still water is a wonderful foil for the rising granite walls. Some of the quarries ae incredibly deep, others are small and intimate. The small ones were usually worked by one man or family, and can be found deep in the woods. Much of the granite from Gloucester was shipped to Boston to become elegant edifices. Some became curbstone and paving stones. I love granite – durable and humble.
Gray skies, breakers, and sienna-colored ledge – this must be Gloucester! It’s mesmerizing to watch water find it’s path along the cracks and hollows. The route is always the same and always different. Enjoy.
Back in Massachusetts, and expecting some tropical storm action today. The light was oddly yellowish and so humid this morning – just like the atmosphere in this little trio of paintings I finished yesterday. Coincidence? While I’d love to see what Bass Rocks will look like this afternoon, I think I’ll stay in the studio. Enjoy.
No soil that I can see, but these shrubs have found a way get by in hard circumstances. The first is from Quoddy Head, the second from Bass Rocks, but both offer little but a crack in the stone for the roots to dig in – more than some people have.
Simplicity – the horizon, and under that soft blue line a patch of warm sand and a granite outcrop. We can always pretend to be there. Enjoy.
Technical painting notes: I used hot press watercolor paper coated with an isolating layer of shellac for this small painting. Less brush and more palette knife gave heft and substance to the outcrop. Adding Liquin Impasto medium to the paint also added an illusion of weight to the paint while maintaining the translucency of reflective light.
A feast of grays and a stiff wind inspired this small painting from Bass Rocks. Even though the weather is blustery, the quiet palette is somehow soothing. A great day for a comfortable chair and a good book. Enjoy.