Tag Archives: landscape painting

Watching the Waves Come In….

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TM9298 Watching the Waves Come In #243 7×7 oil on paper

TM9299 Watching the Waves Come In #244 7×7 oil on paper

TM9303 Here It Comes 7×7 oil on paper

Watching the Waves Come In is a long-term series that is always in development. Every time I learn something new I see what effect it will have on my little wave paintings. Or sometimes these small paintings inform my larger work. Either way, they are a delight to paint. I used to use a brush when working on them, but now it is mostly the palette knife, with more attention paid to the viscosity of the paint and the choice of paper  – smooth or textured watercolor paper (primed). I look for ways to let the viscosity emulate the action of the water – more like sneaking up on the subject rather than trying to copy a moment or view. This approach, at least for me, yields more of the feel of my watery subject. It also allows for random accidents to influence the painting’s development, and life is certainly about the accidents. Enjoy.

After the Storm

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TM9302 A Day at Bass Rocks #53 7×7 oil on paper

TM9300 A Day at Bass Rocks #51 7×7 oil on paper

TM9301 A Day at Bass Rocks #52 7×7 oil on paper

The raw power and quaking tremors that one feels when standing on the rocks can be breath taking. It travels from the feet up through the legs, sort of a deep bass vibration, especially after big storms. These three small paintings, two with the tide coming in, one with the tide going out, provide a 7×7″ version of the experience. Enjoy!

Icing Up – November Morning at the Pond

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TM9297 Icing Up – November Morning at the Pond 42×42 oil on panel

Icing Up- November Morning at the Pond is part of my continuing series of winter investigations. Unlike the woodland views in winter, this painting looks at the earliest signs of winter as it creeps up on the pond. First there’s the sight of hoarfrost or light dustings of snow on the branches along the shore, or reflected in the open water. Most fascinating to me is the way ice forms on the water, giving it an almost gel-like appearance in some places while remaining open (with sharp reflections) in others. Eventually, a thin skim of actual ice starts to take over. The details are real, but the effect can be quite abstract and magical. I sometimes think this is my favorite time of year – still full of colors and activity, but little by little finding a way to subdue itself. Details below. Enjoy.

TM9297 Icing Up – November Morning at the Pond – detail from top of painting with shelf of ice and hoarfrost branches meeting open water and reflections

TM9297 Icing Up – November Morning at the Pond – detail from left side with reflections from pond bank

TM9297 Icing Up – November Morning at the Pond – detail from right side with tangled growth from shore and reflections in the freezing pond

Technical painting notes: I used a soft rubber roller extensively in this painting, rolling on thin skims of translucent oil paint to subdue color and soften details. Some of the tangled growth was delineated by scraping away paint, some by using a brush to paint in the strokes, and other “lines” were rolled with a narrow Takech rubber roller. The painting was developed in stages, with time for each layer to dry thoroughly before proceeding to next layer.

 

 

 

 

Spring Reaches the Pond

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TM9294 Spring Reaches the Pond 36×48 oil on panel

Spring is elusive. The first hints of its arrival come by smell. The air is warm enough to sense dampness, then the smell of wet earth. At the pond, ice melts and sky reflections return. Soon the first greenish-yellow leaves will be arching over the bank, reflected in the water. Spring is a season of soft edges. In this new painting, I left the winds behind and concentrated on the stillness and subtleties of spring, and the harmonies of color that slowly emerge in April. There is a gentler mood. Details below. Enjoy.

TM9294 Spring Reaches the Pond – detail from upper right

Dear November

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TM9295 Dear November 42×48 oil on panel

Early November is gold and bronze, with a touch of lingering crimson, at least around here, but late November shifts into the cooler colors. The dried, pale and papery leaves that hang on all winter are beginning to take over. I love them. So stubborn. Dear November is about the moment of transition. Grays and neutral colors are coming in, and our only memory of summer will be in those dangling, paper-thin leaves. Details below.  Enjoy,

TM9295 Dear November – detail from top of painting showing use of calligraphic brush work

TM9295 Dear November – detail from left of center with blowing leaves, and showing use of interwoven brush and roller strokes

Praise Poem to November

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TM9293 Praise Poem to November 42×48 oil on panel

It seems odd to be singing the praises of November in April, but with a show scheduled for fall of 2020 at the Summer Star Wildlife Sanctuary, I’m excited to be embracing the glorious fall months. The show will be devoted to the woods and trees, including paintings inspired by the visitor center’s glass, two-story observation space which looks out onto classic New England woodlands. I fell in love wit the view through the trees at bird level. Hello sparrow! More to come…..enjoy.

TM9293 Praise Poem to November – detail

TM9293 Praise Poem to November – detail from left of center showing effects of blowing wind, with brush, roller, and spatter applications of paint

TM9293 Praise Poem to November – detail from upper center

Technical painting notes: The new paintings make more use of the roller than earlier work. The roller allows one to quickly blend and soften edges, The contrast of painted and rolled lines adds variety.

 

Winter Coast, Part 2

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Still cold and stormy, but maybe these are the last winter studies for this year?