There’s always one that jumps out front, ready to proclaim the arrival of fall. This view of one red tree at an old quarry says yes, autumn is coming, even if it feels late this year. I always anticipate the moment. Enjoy.
The hurricanes keep forming, and thankfully a few are staying off the coast. Ominous waves and rip tides though, as this study from Gloucester shows.
Yes, my favorite season has to be fall. It isn’t just the range of colors, but the return of cooler nights and more moderate days. This small painting sums up the glowing light of autumn, when gold and citrine drench the woods and air. Enjoy!
It’s a familiar trail through Purgatory Charm. You start in open sunlight and descend to the bottom of the damp, boulder strewn, rock-walled chasm. Warm to cool, easy to difficult, bright to mysterious. And it happens quickly. No matter how many times I visit, it thrills me. So, when I started this little painting at the beginning of the week, I thought I knew where I was going. But from the first stroke, something was new. The nearly black shadows were suggestive enough to stand on their own, so I concentrated on the sunlit trees and foreground ledge and boulders. A few scraped out trunks and branches were enough to say “trees.” The white of the paper left of center implied sunlight deeper in the woods. I decided to call it finished – partly because it felt fresh and new, partly because the abstractness of it echoed the abstract quality of this particular location. Enjoy!
Technical painting notes: I used a smooth rag printmaking paper (primed with shellac both sides). Winsor/Newton Liquin Impasto medium added substance and translucency to the paint, and sped the drying. A smallish palette knife provided control and some great accidents, A silicone scraper was used to remove paint for trunks and a few limbs. I liked the contrast of bare paper in some places with thick paint elsewhere.
I’ve been thinking about Pine Barrens I’ve visited – on Cape Cod and up in Northern New Hampshire. They always have their own stark poetry of loose, sandy soil and trees struggling to survive. I think of the quiet, the sounds of insects buzzing. At times these woods can feel haunted, perhaps because one senses the extraordinary number of years it takes to build such an environment – mountains rising, then being worn away until only dense, deep sand remains. The exquisite smell of pine needs perfumes the air, and all you want to do is keep breathing….enjoy.
My fond farewell to the quarry for this season. Hoping to go back this winter for a new experience of the place..
Summer Afternoons One breath in, One breath out I stand, look again Ponder this summer opus A diptych of breath Rippling with breeze And leaves, the air So humid, so soft Colors want to melt Blur into creek And clouds as they Languidly play across twenty-four hundred square inches
Technical painting notes and close-up details: Summer Afternoons is a diptych painted on two birch-faced slabs. I used several coats of alkyd primer (sanded to a velvet finish). The initial blocking in of shapes was done with a soft rubber roller and thinned black and burnt umber oil paints. The paint surface was manipulated with solvents and silicone scrapers, then allowed to dry. Subsequent glazes and more roller strokes defined the vegetation, with limited use of soft brushes. I used mostly Liquin impasto medium to make the paints more transparent.
Below are two views of the diptych in progress.
These two studies were done on smooth, primed paper, which informed the quick, blocked in treatment using a palette knife. The strong sun gave me an opportunity to play with simplified shadows. I felt like Edward Hopper was sitting next to me, of course I was in his neighborhood!